Review of Shades of Green 2

If there's one genre of album I never buy, that is what I call "Chazora Albums". Falling in this category is a plethora of wedding albums, remix albums, project next albums that are easy and cheap to produce. I don't buy those because there's nothing new there - it's basically a double charge for songs you have paid for already.

Shades of Green series is a notable exception. First, it has YG's production standard, which is far higher than the average album out there. But more importantly, it's a testament to Yossi Green's remarkable career, coming straight from him.

Shades of Green 1 was good, I would say 6 on 10. There wasn't much new in the songs and it was just plain "Chazora Album" albeit with a very good production.

This time it's different. The production in #2 is somewhat more sophisticated and it enables Yossi to innovate more than before. Almost every song has a cool shtick, featuring Yossi Green's interpretation of his own hits - instead of a tired review of his songs we have totally new versions of his hits.

Shades of Latin - interestingly, YG decides to tweak his iconic Sephardi-style song into a latin sound. It's a nice try but I think the song loses all it's identity with this tweak and it becomes a weak latin song. Ohad's Gedola Shiro is also an unlikely candidate for a latin song but it worked better, and as usual, YG shows off his exceptional harmony skills with a dissonant note at 4:00. Novel and cool. ***

Shades of Motown - Hu Iftach is not among Yossi best hits and I wouldn't have chosen it for this album. It doesn't blend in the Motown style at all. Happy Days does, but overall there's little innovation in this shade. **

Shades of Dance - that's where the album changes gear. The arrangement is clearly Shai Bachar (I think) and the two songs are perfect for this Dance theme - no tweak this time. But although the songs are well done, Yossi has little room to innovate here, as the original songs had pretty much the same vibe and even more energy, thanks to Gertner and Wald's superb vocals. ***

Shades of Hipsh - the funky arrangement gives YG room for shticks - I love the one in 1:30 and 4:20. Nice concept. ****

Shades of Rock - The arrangement, I believe from Lamm, is weak. It's the traditional JM rock beat, the one we have heard countless times in the past decades and that's a dated kind of rock. Trumpets, saxophone should have no place there and I wish Yossi would dare to turn this into a heavier rock song. *

Shades of Baroque - Chesed VeEmet is probably one of YG's most relaxing and sweet songs, and Yossi brings the song to the next level with clever arpeggio vocal arrangements. Tzomo, if my memory serves me well was released by Yossi Rose in his first album (which didn't sell well but was quite good). I don't rank it among Yossi's greatest hits but it's ok. Lamm's arrangement is again weak, specially towards the end of the song, but YG carries the song well and smartly.***

Shades of Debka - great shade, showcasing YG's aptitude for middle-eastern songs. I wouldn't have used flutes and clarinets in the arrangement - why not keep it Arabic style? The vocal arrangements are very smart and cool, this is one of the best segments of the album. I wish that Yemenite rabbi from the 8th Note would be back here for a special appearance. ****

Shades of Blue - clever intro, tweaking Wald's original song. This Ani Maamin is from YG's most powerful songs and I'm happy he went for some solos opposed to using his choir the whole time. The arrangements has little from blues, and this song in general is not blues. But the second song is interesting, coming from Nissan's album. Few people bought Nissan's album but this song is a gem, and I always wondered why Nissan didn't succeed. YG makes this song really special, even better than the original and makes justice to this dark-horse song. Very strong shade *****

Shades of Soul - soul? If that's what they were shooting for, it failed. **

Shades of Chant - This is the album's best moment, a truly revolutionary Shade. From beginning the end, this shade is legendary, turning two of YG's most tired songs into some sort of byzantine chorus songs. This time the execution of this shade was flawless, and YG sounds better than ever in the chorus parts. This is the direction I keep wishing JM will go, and credit must be given to the arranger - it's not Lamm and it doesn't sounds Shai but it could be him. Everything in this song works, it's the complete package and that alone was worth the 25 dollars I was charged for this album (yes, I overpaid). ***** plus

Shades of Yiddish - ***

Shades of Accapella - interesting premise as we rarely see YG venturing into accapella and it was smart to bring more voices, I was afraid YG would do a Eli Gerstner shtick of one man acapella work. The arrangement by Mo Kiss is very good, but the AKAPella soloist in Min Hameitzar does not nail the song, lacking Shlomo Simcha's power that we saw in the original. Even YG's solo sounded better than the other soloists, so that is a letdown. If you ignore the soloists, the song is well built and I love how YG comes out in this setting, specially in the unusual modulation in 4:15 - I loved it ****

Shades of March - I don't know this march.. not a fan of it. Not memorable, not as creative as YGs usual compositions. The English song is cute **

Always on Call - quite a surprise! Nice vocals, nice song and nice cause.

Shades of Green 2 is better than 1. There's still lots of room for improving and I would dare more with the arrangements next time. And I would make it more 8th Note-ish - why not bring guest singers for every song, a la Gideon Levine? I would still keep YG's vocals as this is about his legacy but one bar here and there could be sung by guest singers. Nice album; special mention to Shades of Chant - wow!

Pessach Video

It seems like people feel like we need new shtick videos every Chag these days. While some are definitely interesting and creative, others like this one fall sort. He can actually sing and has a pretty sold voice, but why mix Sole Mio and Pessach? Corny.

A Jewish Star Videos and more

Video: performers




Video:
Interviews with judges and contestants


So... A Jewish Star is over and a day later we know who won - Piamenta Jr - with a very energetic performance. Did he deserve it? Looking at all the performances, this was the only listenable piece. The rest was subpar, very very weak and mostly off tuned.

What is clear is that well produced auditions masked the real voices of the auditioners. They are all at best average voices, and that's already a compliment. Next time the auditions should be voice only. Let's be real.

In a more positive note, this edition showed that anyone, ANYONE, could have been standing there. Yes, you also. Maybe that will encourage more people to submit videos.

The lack of interactiveness hurt this a lot, since only the people who attended te show were actually part of it. The unfortunate souls who couldn't make it had no connection to it until today. Didn't anybody think of making a live feed over the web?

In any case, shkoiach to Piamenta Jr who did feel confortable in stage much like Binyamin Moshe last year. We already have a pattern of Israelis doing well in the contest and that's no surpirse - Israeli Jewish Music is far more interesting the mainstream today. Israeli seem to have more chutzpa to do their thing without being afraid of standing out. That's great for music.

The Finalists are here - A Jewish Star

A Jewish Star Season Two - Finalists from COLlive.com on Vimeo.

Well, many surprises made into the next stage and many very talented contestants were left behind, but it is what it is.

The more edgy contestants are Weinstein and Menkes, but it's interesting to note that neither of the two have special voices - their strength is in their original compositions. And that's ok.

Now I can't understand how Hillel Braun and Piamenta made it through. It will probably remain as the mystery of this century.

In any case, A. Fried was as always on the ball and consistent, albeit less aggressive than last year; Peillin does have value as a judge as he knows what to look for in a performer. However Eli G was surprisingly popcorn-ish, very superficial and way too afraid to say anything undiplomatic. Is he the Paula Abdul of this show? He has the experience and pedigree to be there but I really hope he steps up his game in the live show.

All in all, this show is very lukewarm and I hereby call again for a different formula for next year. Let the judges choose and then the public. The current formula forced the judges against the wall, as they have no say in who will be the top 10 and they could only bend their head's down and agree.

The judges should be more in the spotlight! The video above was OK but far from being a immersive entertainment section. If done it correctly, this show has the potential to be a blockbuster.

A Jewish Star vs American Idol

A Jewish Star will soon move to the next stage, and VIN released a list of the more popular contestants.

As the show moves on, one thing is clear - the voting system is tricky. Why? let's first look at American Idol's system, which was the inspiration for this show. In American Idol, a panel of unknown judges judge hundreds of thousands of contestants around the US, choosing the more interesting auditions. This always includes bad contestants, who will be later be made fun of. But aside from these, the contestants who pass have good voices. In the next stage, they appear in front of a panel of star judges, like Steven Tyler and J. Lopez this year, who will choose the ones they approve. Only in the next stage - stage 3 - the public kicks in to pick their favorites.

A Jewish Star's format is very different - the "public", that is, registered voters, solely decide who will pass to stage 2. Some commenters have raised valid questions:

anonymous says:

January 21, 2011 at 12:17 AM

Just because these guys have lots of friends to vote for them, doesn’t make them a good singer! They should be judged by their voice and talent (by the 3 judges), not by the amount of votes they got because they are popular. This is not supposed to be a popularity contest! There are others who should to be on this list and some on this list that shouldn’t!!! I hope others agree with me!

Reply

• lets be real says:

  January 21, 2011 at 3:55 PM

  I agree, the judges should choose the top ten.

I partly agree with Anon. I would put it differently - why do you need the panel of judges of the public will be choosing who will pass? However, the public should be involved as this is the secret of American Idol's success. So who should decide - public or judges?

I think that it should be more like American Idol - the top ten should be chosen be the panel of experts and only in the next stage the public would pick their favorites. The current voting system leaves an open door to weak contestants who can find a way to arrange backing from the voting "public".

I would like to stress that I was from the early enthusiasts of this show and I still think it's a great idea. But there's room for improvement and I believe my criticism is constructive. A few golden contestants were left out and with this other system I think they would have very good chances of going to stage 2.

Eli Gerstner and Aidelkeit

From ajewishstar.com:

"When asked what qualities he looks for when he auditions choir members, Gerstner said: “Good voice, stage presence and the most important factor – aidelkeit.”

“A child who performs must be a Baal Midos. It won’t work any other way. People don’t want to see a boy with an ego. The ego comes through in the voice.”

So a good voice is not all?

“Exactly. We turn down so many kids who try out for YBC who have amazing voices but lack in Aidelkeit. Take Avrohom Fried, for example, he has an amazing stage presence without the ego. And look where he is…”"

I am an early Gerstner fan who jumped off the boat when he started his child choir career path. Until then I bought every single CD he produced, the good ones and the weaker ones. Overall, I liked his music and contribution to Jewish Music. With that said, I was a little confused by the interview above. He signaled the importance of Aidelkeit for the audiences when speaking about boys choir but brought an example from Avraham Fried's way of being.

But if Eli subscribes to the importance of Aidelkeit as seen in Avraham Fried, why doesn't the same standard applies to adult performers (Chevra is not exactly in the Aidelkeit field)? Should they all be "aidel" as well or the argument only goes as far as child choirs are concerned?

Well I believe ego is most often good for music. It's hard to define what kind of ego Eli is talking about, but in adult soloists, I like when they have personality as it adds flavor to their compositions and public performances. Take Lipa, Dedi, Yishai Lapidot, Adi Ran - all them have positive "egos" which make them extremely entertaining. After all, that's what singers are - entertainers. Avraham Fried is also an entertainer but with a whole different, most subdued, no-ego, style. And that's also appealing to many.

Now take child soloist. Eli says he will refuse the very best soloist just because he has ego; or if I understand him correctly, just because he has a strong personality. Why? Because there's a code which was created in the Children's Choir world - they should look all the same, sing all the same and smile at all times. And be aidel.

Doesn't that sound funny to you? Boys Choir are not entertaining; the are just cute (to some). That explains why Eli refuses egos - they stand out from the cute standard. Even if they have the best voice ever.

That goes out to prove that when it comes to Boys Choir, music comes in second place. First is about fitting in the stereotype. With this kind of backstage, it's no surprise that no good music comes from there. It's an institutionally flawed system. Kids are not meant to entertainers. Adults are. Lipas are. Dedis are. Children are not; they are just cute.

A Jewish Star: The Fourth Judge's Impressions - Part 2

We clearly have many more contestants this year and this has impacted the show a lot. The biggest challenge now is not only sing a song well but to find a way to stand out from the others. This requires a good voice, obviously, but it's as important to choose the right song. And even when you choose the right song you should make it special and different. In light of this contestants like Baruch Naftel, Elie Norovitz and even Gershon Shapiro did a pretty good job but this year I don't think it will be enough - there's too many people. And it's all about standing out. Avrami Cohen is a great example of a smart audition. I'm happy we are going this way as this will make the competition more.. err.. competitive.

But the best so far is Mendel the Shoichet - I can't forget that one. Here are the latest:

Avrami Cohen - Very original audition, with a jazzed up version of YG's Beshoo. He is Kol Zimra-ish and I think will go through. *

Benny Gammerman - Another innovative audition that stood up from the rest. Like Mendy Sheichet, Benny is back and stronger and both seem ahead of Gershon from last year's contestants. The song is pretty much from the Israeli JM camp and it's fresh and groovy, not to mention the interesting lyrics. I think eventually JM will have more and more of these kind of lyrics (Shuli Rand is one of the pioneers) and I hope this audition gets the green light.*

Elie Norovitz - I think it wasn't a good song choice for him - the first part was way too low and it eclipsed the rest of the tune, which did have good moments and good notes.

Motti Hershkovitz - good voice, this audition was quite good. I like him but, again, I don't know if he managed to stand out enough. Reminds me of Yeedle a bit.

Daniel Joshua Gerlich - this guy will polarize opinions around him. This kind of auditions will raise eyebrows for virtually all US listeners but will surely have a following in Israel. The dragged singing is perhaps a little exaggerated but overall this song has character. Does he look a bit crazy? Yes. But the crazy singers can be the best. Think Lipa, Adi Ran - the crazier the less they care about the standards and the more original they are. I don't think he will pass because he doesn't fits in the Avraham Fried/Gerstner music world but I'm very happy to see him compete.

Tzvi Russel - it's a good example of the danger of being too much into your own song. Took a big risk by singing his own song and considering that this song is bad, he had no chance from the very start.

Ilan Eckhart - sings a beautiful song from Six13, a band I follow closely. Good voice, lots of potential, but is this the kind of guy Fried/Gerstner will appreciate and pass? Don't think so.

Edan Hanouka - slightly better than Flusberg. Couldn't watch till the end.

Motty Reizes - what caught my attention was the composition. The song is far from perfect but it has some interesting shticks and I think Motty has potential to be a composer.

Mordechai Levovitz - seems to be a pro singer - can these compete?

Marcos Askenazi - he is on ajewishstar's channel on youtube but is not on the site. Is he in or not? Confusing. One of the better auditions - great interpretation, vocals and musicality. If he is competing, I would place him as a favorite. *