Ohad 3 Review + Video Songs

I've been wondering if I should review Ohad 3 or not... The album is out already for quite some time - perhaps I should review something else.
Meanwhile, I've come across two videos:

I've heard Shwekey's brother a few times but he seems more rounded this time; he evidently took voice coaching classes and he sounds better now. The song is quite weak, forgetable although the lyrics are sung in a different way than the usual Mi Adir. He starts with the last part and if not for this lyrics change I wouldn't even bother to watch it - I don't listen to Mi Von Siach/Mi Adir songs anymore. Got sick of them.

Which brings me to another Music Video, this time by Yossi Green.
 The contrast is evident - the lyrics. Yossi Green can spend months until he finds the right lyrics for a song, and he ultimatedly did find a great set of lyrics for this song. The lyrics alone propel this song to another level and YG knows how to play with the lyrics and interpret them. But I'm afraid he is alone; most of the songs I hear are still old lyrics battered again and again. Mi Adir/Mi Von Siach and Halach Hagoel are perhaps the most overused lyrics, and even Ohad 3 unfortunatedly had a Mi Von Siach - a waste of time in an otherwise interesting album.
The tune is interesting, changing the tempo very smoothly between the second and third part of the song, and the vocals are very good - first time I hear these fellows. YG has mastered the composition process like no other JM composer in the past decades, a real blessing for JM fans.
And unlike Yosef Chai's video, this video is novel - it is a real story. Somebody comissioned YG to compose a song for his Bar Mitzva son and the video illustrates the process. That's new, original and fresh.

jpost: iTunes categorizes Jewish music as ‘Christian & Gospel'

By MICHAEL FREUND 18/09/2011 Apple's online music store does not have a separate category for Jewish and hassidic melodies.   Apple Inc.’s popular online digital media outlet iTunes classifies many of the most well-known Jewish performers and their albums as “Christian & Gospel” material and does not have a separate category for Jewish melodies, The Jerusalem Post has found. Albums by Avraham Fried, an Orthodox Jew, with titles such as Yiddish Gems Volumes 1 & 2, My Fellow Jew and The Baal Shem Tov’s Song all appear under the “Christian & Gospel” category. Other songs of his appear under the heading “World.” Similarly, Mordechai Ben- David’s collections Just One Shabbos and Yerushalayim Our Home, as well as songs such as “Yom Tov Medley,” are all listed as “Christian.” And the late Rabbi Shlomo Carlebach’s album Shaarei Shabbat – Songs and Blessings for your Jewish home” which includes the song “Am Yisrael Chai” (“the People of Israel live”), is included in the Christian category. Music for Jewish children and cantorial works by Joseph Malovany of Manhattan’s Fifth Avenue Synagogue are also not exempt from Apple’s unusual classification system, which deems them to be Christian. Contacted by the Post, Fried expressed astonishment. “Why would they put Jewish and Hassidic music under the ‘Christian and Gospel’ category? It makes no sense,” he said. “I don’t understand where they are coming from and what the point is of doing this,” Fried said. “I would hate to think this is an attempt to bury Jewish music under a Christian or Gospel label.” Repeated requests for comment to Apple’s corporate headquarters in California and its UK branch went unanswered. Fried said Apple should change its policy and create a Jewish grouping. “It is time to have Jewish and Hassidic music stand on its own,” he declared. “It should have its own category and be called by its right name – Jewish music.” Apple’s iTunes is said to be the largest online music and video vendor in the world. In February 2010, the company announced that more than 10 billion songs had been purchased and downloaded from the site since its inception in 2003.

Review of Shades of Green 2

If there's one genre of album I never buy, that is what I call "Chazora Albums". Falling in this category is a plethora of wedding albums, remix albums, project next albums that are easy and cheap to produce. I don't buy those because there's nothing new there - it's basically a double charge for songs you have paid for already.

Shades of Green series is a notable exception. First, it has YG's production standard, which is far higher than the average album out there. But more importantly, it's a testament to Yossi Green's remarkable career, coming straight from him.

Shades of Green 1 was good, I would say 6 on 10. There wasn't much new in the songs and it was just plain "Chazora Album" albeit with a very good production.

This time it's different. The production in #2 is somewhat more sophisticated and it enables Yossi to innovate more than before. Almost every song has a cool shtick, featuring Yossi Green's interpretation of his own hits - instead of a tired review of his songs we have totally new versions of his hits.

Shades of Latin - interestingly, YG decides to tweak his iconic Sephardi-style song into a latin sound. It's a nice try but I think the song loses all it's identity with this tweak and it becomes a weak latin song. Ohad's Gedola Shiro is also an unlikely candidate for a latin song but it worked better, and as usual, YG shows off his exceptional harmony skills with a dissonant note at 4:00. Novel and cool. ***

Shades of Motown - Hu Iftach is not among Yossi best hits and I wouldn't have chosen it for this album. It doesn't blend in the Motown style at all. Happy Days does, but overall there's little innovation in this shade. **

Shades of Dance - that's where the album changes gear. The arrangement is clearly Shai Bachar (I think) and the two songs are perfect for this Dance theme - no tweak this time. But although the songs are well done, Yossi has little room to innovate here, as the original songs had pretty much the same vibe and even more energy, thanks to Gertner and Wald's superb vocals. ***

Shades of Hipsh - the funky arrangement gives YG room for shticks - I love the one in 1:30 and 4:20. Nice concept. ****

Shades of Rock - The arrangement, I believe from Lamm, is weak. It's the traditional JM rock beat, the one we have heard countless times in the past decades and that's a dated kind of rock. Trumpets, saxophone should have no place there and I wish Yossi would dare to turn this into a heavier rock song. *

Shades of Baroque - Chesed VeEmet is probably one of YG's most relaxing and sweet songs, and Yossi brings the song to the next level with clever arpeggio vocal arrangements. Tzomo, if my memory serves me well was released by Yossi Rose in his first album (which didn't sell well but was quite good). I don't rank it among Yossi's greatest hits but it's ok. Lamm's arrangement is again weak, specially towards the end of the song, but YG carries the song well and smartly.***

Shades of Debka - great shade, showcasing YG's aptitude for middle-eastern songs. I wouldn't have used flutes and clarinets in the arrangement - why not keep it Arabic style? The vocal arrangements are very smart and cool, this is one of the best segments of the album. I wish that Yemenite rabbi from the 8th Note would be back here for a special appearance. ****

Shades of Blue - clever intro, tweaking Wald's original song. This Ani Maamin is from YG's most powerful songs and I'm happy he went for some solos opposed to using his choir the whole time. The arrangements has little from blues, and this song in general is not blues. But the second song is interesting, coming from Nissan's album. Few people bought Nissan's album but this song is a gem, and I always wondered why Nissan didn't succeed. YG makes this song really special, even better than the original and makes justice to this dark-horse song. Very strong shade *****

Shades of Soul - soul? If that's what they were shooting for, it failed. **

Shades of Chant - This is the album's best moment, a truly revolutionary Shade. From beginning the end, this shade is legendary, turning two of YG's most tired songs into some sort of byzantine chorus songs. This time the execution of this shade was flawless, and YG sounds better than ever in the chorus parts. This is the direction I keep wishing JM will go, and credit must be given to the arranger - it's not Lamm and it doesn't sounds Shai but it could be him. Everything in this song works, it's the complete package and that alone was worth the 25 dollars I was charged for this album (yes, I overpaid). ***** plus

Shades of Yiddish - ***

Shades of Accapella - interesting premise as we rarely see YG venturing into accapella and it was smart to bring more voices, I was afraid YG would do a Eli Gerstner shtick of one man acapella work. The arrangement by Mo Kiss is very good, but the AKAPella soloist in Min Hameitzar does not nail the song, lacking Shlomo Simcha's power that we saw in the original. Even YG's solo sounded better than the other soloists, so that is a letdown. If you ignore the soloists, the song is well built and I love how YG comes out in this setting, specially in the unusual modulation in 4:15 - I loved it ****

Shades of March - I don't know this march.. not a fan of it. Not memorable, not as creative as YGs usual compositions. The English song is cute **

Always on Call - quite a surprise! Nice vocals, nice song and nice cause.

Shades of Green 2 is better than 1. There's still lots of room for improving and I would dare more with the arrangements next time. And I would make it more 8th Note-ish - why not bring guest singers for every song, a la Gideon Levine? I would still keep YG's vocals as this is about his legacy but one bar here and there could be sung by guest singers. Nice album; special mention to Shades of Chant - wow!

Pessach Video

It seems like people feel like we need new shtick videos every Chag these days. While some are definitely interesting and creative, others like this one fall sort. He can actually sing and has a pretty sold voice, but why mix Sole Mio and Pessach? Corny.

A Jewish Star Videos and more

Video: performers




Video:
Interviews with judges and contestants


So... A Jewish Star is over and a day later we know who won - Piamenta Jr - with a very energetic performance. Did he deserve it? Looking at all the performances, this was the only listenable piece. The rest was subpar, very very weak and mostly off tuned.

What is clear is that well produced auditions masked the real voices of the auditioners. They are all at best average voices, and that's already a compliment. Next time the auditions should be voice only. Let's be real.

In a more positive note, this edition showed that anyone, ANYONE, could have been standing there. Yes, you also. Maybe that will encourage more people to submit videos.

The lack of interactiveness hurt this a lot, since only the people who attended te show were actually part of it. The unfortunate souls who couldn't make it had no connection to it until today. Didn't anybody think of making a live feed over the web?

In any case, shkoiach to Piamenta Jr who did feel confortable in stage much like Binyamin Moshe last year. We already have a pattern of Israelis doing well in the contest and that's no surpirse - Israeli Jewish Music is far more interesting the mainstream today. Israeli seem to have more chutzpa to do their thing without being afraid of standing out. That's great for music.

The Finalists are here - A Jewish Star

A Jewish Star Season Two - Finalists from COLlive.com on Vimeo.

Well, many surprises made into the next stage and many very talented contestants were left behind, but it is what it is.

The more edgy contestants are Weinstein and Menkes, but it's interesting to note that neither of the two have special voices - their strength is in their original compositions. And that's ok.

Now I can't understand how Hillel Braun and Piamenta made it through. It will probably remain as the mystery of this century.

In any case, A. Fried was as always on the ball and consistent, albeit less aggressive than last year; Peillin does have value as a judge as he knows what to look for in a performer. However Eli G was surprisingly popcorn-ish, very superficial and way too afraid to say anything undiplomatic. Is he the Paula Abdul of this show? He has the experience and pedigree to be there but I really hope he steps up his game in the live show.

All in all, this show is very lukewarm and I hereby call again for a different formula for next year. Let the judges choose and then the public. The current formula forced the judges against the wall, as they have no say in who will be the top 10 and they could only bend their head's down and agree.

The judges should be more in the spotlight! The video above was OK but far from being a immersive entertainment section. If done it correctly, this show has the potential to be a blockbuster.

A Jewish Star vs American Idol

A Jewish Star will soon move to the next stage, and VIN released a list of the more popular contestants.

As the show moves on, one thing is clear - the voting system is tricky. Why? let's first look at American Idol's system, which was the inspiration for this show. In American Idol, a panel of unknown judges judge hundreds of thousands of contestants around the US, choosing the more interesting auditions. This always includes bad contestants, who will be later be made fun of. But aside from these, the contestants who pass have good voices. In the next stage, they appear in front of a panel of star judges, like Steven Tyler and J. Lopez this year, who will choose the ones they approve. Only in the next stage - stage 3 - the public kicks in to pick their favorites.

A Jewish Star's format is very different - the "public", that is, registered voters, solely decide who will pass to stage 2. Some commenters have raised valid questions:

anonymous says:

January 21, 2011 at 12:17 AM

Just because these guys have lots of friends to vote for them, doesn’t make them a good singer! They should be judged by their voice and talent (by the 3 judges), not by the amount of votes they got because they are popular. This is not supposed to be a popularity contest! There are others who should to be on this list and some on this list that shouldn’t!!! I hope others agree with me!

Reply

• lets be real says:

  January 21, 2011 at 3:55 PM

  I agree, the judges should choose the top ten.

I partly agree with Anon. I would put it differently - why do you need the panel of judges of the public will be choosing who will pass? However, the public should be involved as this is the secret of American Idol's success. So who should decide - public or judges?

I think that it should be more like American Idol - the top ten should be chosen be the panel of experts and only in the next stage the public would pick their favorites. The current voting system leaves an open door to weak contestants who can find a way to arrange backing from the voting "public".

I would like to stress that I was from the early enthusiasts of this show and I still think it's a great idea. But there's room for improvement and I believe my criticism is constructive. A few golden contestants were left out and with this other system I think they would have very good chances of going to stage 2.