Benny Friedman’s Yesh Tikva is out and it’s easily one of the most anticipated albums of the year. Alongside Yossi Green’s 8th Note, his first album was in my opinion the best in the last 5 years, so he did raise the bar very high from the very start. The big question is if this album is as good as the first, and although I usually leave the answer to the end, the answer is no - the first was better, more groovy.
But the more important question is not whether this album is better, worse or as good as the first - the question is if the music is good. So here we go.
Yesh Tikva - Benny released not long ago the single Mi Shemaamin Lo Mefached and this song follows the same concept. It’s in Hebrew, folksy and I specially like the subtleness of the bridge in 2:22. It’s a cute song; the ending was poor. ****
Haboicher - I would rather choose this song as the album’s opener. Energetic, original and in line with Benny’s style. It’s always nice to see Spinner doing the vocals - I’m a big fan of him - and Benny nailed it with the modulation note in 2:07 and with the subsequent improvisational skills. *****
Beshem - A powerful, subtle composition, this song is what I label “alternative JM” style. I’m happy to see Benny going for it and also letting the composer sing, which adds to the song’s authenticity. Rigler’s arrangement is perfect - actually, all is perfect until the modulation, when Benny goes for the higher octaves. I think that was the wrong decision - I would keep the mellow, low key feel of this song until the end. That’s a common problem in Jewish Music - the lack of restraint (think Eli Gerstner) and the urge to rock every song to its limit. Lipa’s Achron Choviv (Meimka DeLipa) is a rare example of a song done with the proper restraint, when Lipa did let the song shine without too much screaming. Benny overdid it here but the song is excellent. ****
Maale has a unique first part and a lot of room for improvisation; its not a blockbuster but a very pleasant and well-rounded song. I thought Benny’s vocals were fantastic here, specially in the composition’s first part. Kunstler’s acoustic guitar-centric arrangement really helped set the mood of this song. ****
Shalom Aleichem - interesting intro, with two traditional Friday-night tunes. I like this song a lot, the only throwback is the fact that MBD came out with a solid Shalom Aleichem not long ago so it’s a little difficult to give these lyrics another chance. But if you do, you will enjoy the song’s great vocals, energy and arrangement. ****
Mamleches is a very simple catchy slow song - but I do feel like the composition reaches no real momentum; it seems to go in circles, if you know what I mean. I think that it would’ve been smart to a add a bridge niggun to create a more solid structure. As it is, the song is missing something. Musically speaking the song is well arranged, and the choir is sublime.. ****
Ivdu - a good mid tempo song, the first part is not really original however it blends well with the second part, which I’m almost 100% sure it was the part of the song composed by Benny (whoever knows the facts please speak up!), as it really sounds like his groove (the song was co-composed with Y. Eliav, who probably did the 1st part). I felt Benny could have done a better job in the vocals and I would specially point out that would be smart to switch to Mizrachi pronunciation somewhere in the middle of the song in order to change the No No play to Na Na. As it is, the No No shtick gets overused. ***
Dor Acharon is a song I don't get. I did understand what Benny was going for in the other songs, and although they are not really blockbusters it’s clear he was trying to recreate the unique sound he successfully created in his debut album. However this is a Hillel Palai-ish midtempo song like the ones that were sung in each and every album for a few years after Yeedle’s hit song Ato Bonim- it was “in” then but now is not. So it’s like going back on time, which is not necessarily a bad thing, but the composition is very weak - I see no connection between the words and tune, and the “dor acharon” repetition doesn’t makes sense to me. Add that to very simplistic vocal arrangement and harmonies, plus the long 5 minute count and you have the full picture: this is a pointless song and should’ve never been here. *
Vahaviosim is the album’s grooviest song, a beautiful piece by Waldner, who in my opinion is today JM’s best composer after YG. This type of song showcases Benny’s strengths and is to me on par with what we heard in his first album. Freitor’s arrangement is superb, one of the best I’ve heard lately, and the vocal arrangement concept is interesting but could have been a little more subtle, and this lack of subtleness is costly in the song’s end, which is terrible. Except for the ending, this is a 5 star song. Very well done! *****
Dawn of Mashiach is a risk taking song. Very demanding for Benny, he really does his very best to bring this song to life. Although it’s not my style, the song is good and well-rounded, with special mention to Spinner’s genius vocal arrangement in 3:46 and Benny’s Matisyahu-ish freestyling - great idea. But the song drags and is too long, 5:40. *****
Berachamim is a song that was released as a free single some year and a half ago. I’m a big fan of Ari Goldwag’s slow compositions, going back to Ethan Leifer’s album which featured two of Ari’s masterpieces and Ari’s own albums - I pretty much bought all of his musical works just for his slow songs. Berchamin is a blockbuster song, from beginning to end, and Ari was smart to do it together with Benny, who brought star power vocals and transformed this song into a classic. Ari’s vocals are not bad, but with Benny this song went to the sky. I can't give enough compliments to the song's overall production, arrangements and vocals. *****
Bottom Line: Although not a home run like his debut album, Benny’s second CD is very good and with great production value. Until very recently I always had Benny and Lipa as the two strongest innovators in JM, two singers who push the envelope and try to deliver new material and originallity. Lipa is clearly ahead, at the top of his game and not afraid of doing every single idea that comes to his mind (see my review of his latest album). But Benny is also up there too and this album was worth my money.
The Klezmer Academy Is In Session
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